The chief problem with this was dramatic shifts in character designs, environments and basic elements which otherwise would be consistent. The previous film utilised different art styles and designs to differ between the levels of hell. To give the film credit, unlike Inferno the film has far more of a reason to be structured in this fashion. Often bombastic, insanely over the top and with characters yelling, the studio utilised a number of different artistic styles for each part of the film. The film shares a number of elements with another of Film Roman's productions, Dante's Inferno. Employing a ruthless interrogator, they begin extracting the stories of what happened from each of the survivors. With ties to a number of fleet captains, the religion assembles a group of specialists and a ship to transport them in before sending them after traces of the marker.ĭays later their ship is discovered adrift, the crew slaughtered and only a handful of survivors hold up in the engine room. Having lost their major objective, the Unitologists set about trying to recover anything of value from the disaster. When it's good it's outstanding, but when it's bad? It contains every cliche imaginable and lacks any truly redeemable factors.įollowing on from the events from Dead Space, in the wake of the disaster surrounding the Ishimura and Aegis VII, the film unsurprisingly emphasises upon the aftermath of events. This is probably the worst kind of film to look at.
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